The System Of Images And Poetics Of Artistic Psychologism In American And Uzbek Short Stories Of The 19th-20th Centuries
Abstract
In the 19th–20th centuries, the short story genre in world literature became an important means of revealing human psychology, reflecting social changes, and artistically expressing national culture. American short fiction is distinguished by dynamic plots, social criticism, and strong dramatic tension, while Uzbek short fiction stands out for its richness of national spirit, use of inner monologue, and diverse figurative techniques. This article presents a comparative analysis of the system of characters and the artistic psychologism of such American writers as O. Henry, Jack London, Mark Twain, and Richard Deming, and Uzbek writers such as Abdulhamid Cholpon, Munavvarqori Abdurashidkhanov, Ulmas Umarbekov, and Asqad Mukhtar.
References
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Twain, M. The Adventures of Huckleberry Finn. New York: Charles L. Webster, 1884.
Deming, R. The Price of Murder. New York: Fawcett Publications, 1957.
Cho‘lpon, A. Kecha va kunduz. Toshkent: Adabiyot va san’at nashriyoti, 1936.
Abdurashidxonov, M. Padarkush. Toshkent: Turkiston nashriyoti, 1912.
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Bell, M. American Short Story Traditions in the 19th and 20th Centuries. American Literary History, 2002.
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